There are also associations with works by Tchaikovsky and Rubinstein, although these are likely to be the sharing of a common musical inheritance rather than deliberate reminiscences. The relationship of the main theme to the Gibichung-theme in the first scene of the first act in Wagner’s Götterdämmerung has not escaped some observant listeners. Formations of sequences create long arching lines, giving the music a monumental and heroic effect. The first movement has three contrasting themes which are elaborated and combined in the development section. Thus the main themes in the second and third movements are transformations of the opening theme of the first movement. In the piano concerto he uses Classical forms, but the movements are bound together into a cyclic unity through their thematic interrelationships. Sinding was more cosmopolitan and was influenced by composers including Liszt and Wagner. Sinding did not compose national Norwegian music in the same way as Grieg there are very few examples in his music of the influence of Norwegian folk music.
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